© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
The section was important in blending the house into the landscape. As you approach the building through the woods you pass amongst their vertical trunks, giving the impression of going through a hypostyle hall as you enter.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
The landscape serves as a vestibule to the house.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
The location of the house amplifies the changing seasons. The woods serves as a screen or shutter as it allows more or less light to filter through. It serves as a drawn curtain in summer and an open one in winter when the leaves have fallen. Thus, the house interacts, not only, with the landscape but also with its natural changes.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
When you reach the roof of the house, the trees top serve as a visual banister and we can thus interact with the far landscape which is hidden from us at ground level. We once again take in the landscape that we left behind us on arriving at the site.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
The higher siting of the house allows for the wider forested area to remain inter-connected, thus preventing what remains of the forest from becoming an isolated island surrounded by houses causing the loss of the eco-system connectivity for plant and animal life of a continuous forested area.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
The house, built for one person, was designed so that its 400m2 would not seem so large. The construction avoids the traditional square or rectangular form and was designed to become a series of smaller, contiguous cluster areas that dialogue with the surrounding environment, like clearings in a forest rather than a solid volume.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
As the plot is rectangular we decided to build lengthwise partitions for walls, not unlike those of the stave of a music score. These serve as a basic structure around which the vegetation will interact with the habitable clusters. The visual paths created by these longitudinal walls form 5m wide habitable clusters and 2 m wide interior pathways.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
And the visual lanes created by these walls set up lengthwise views of both close and distant panoramas, whilst simultaneously creating a visual separation from the neighbouring houses.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
The so-called humid or wet areas, and storage elements such as wardrobes and cupboards are attached to these walls and accessed through transition areas which serve as filters between the pathways and each cluster. All of these elements will eventually be sewn together by a steel U-section which despite its non-linear form creates a trace of light.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
We approach the house laterally rather than from the classic frontal view. Entering the plot through one of its perimeters and then turning into the house tangentially rather than head-on leaves a greater patch of forest untouched and exposes the language of the house, that is, the house as a continuation of the topography.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
At the end of this driveway you reach the only point at which the house does not rest upon the ground. This is the access to the car park. From this point there are various entrances to the house, coinciding precisely with the points where it floats or is suspended above the ground.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
Where you turn into the car park, you have the possibility of parking the car outside and entering the house via a more scenic route: a ramp which in a way is the continuation of the driveway, or you can park the car in the garage and enter the house via a more direct staircase.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
The topography of the roof creates circulation paths that are the grouping of non-continuous sequences of light and shade. The changes in light intensity signal the position of the access points to the other rooms.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
The ends of these linear walls are asymmetric to create a diagonal dialogue with the exterior. This has the advantage of lengthening sightlines, which, being diagonal, tend to be longer. The wall on one side accompanies you into the exterior, while the other offers diagonal views and somehow brings the landscape into the interior of the house.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
The inflection of the ceiling section line into a V shape, moulds its geometry and hides the glass frame. This section visually brings the exterior into the building so it appears closer than it actually is.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
The project as a continuity of the existing topography.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
© Josep Ferrando Bramona . Pubblicata il 09 Settembre 2009.
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Collegio Ingegneri della Toscana, Collegio dei Periti Industriali di Grosseto, Federazione agronomi e forestali della Lombardia, Dipartimento S.S.A.R. Università "G. D'Annunzio", Collegio Geometri Reggio Calabria, Consiglio Nazionale dei Geologi, InArSind Sindacato Nazionale Ingegneri e Architetti, Ordine Ingegneri e Architetti di San Marino, Collegio dei Periti Industriali di Siena, Associazione Laureati Iuav
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