© maria ziegelboeck . Pubblicata il 30 Aprile 2010.
The Austrian pavilion by Vienna-based architects SPAN & Zeytinoglu causes quite a sensation in Shanghai. “We are glad that is was erected precisely according to our plans”, says architect Arkan Zeytinoglu. Enrobed in ten million porcelain tiles, the pavilion takes the form of a seamlessly shimmering building, spectacularly reconciling elegant with futuristic elements. In the designing and planning phases, SPAN & Zeytinoglu predominantly work with digital models, a method allowing them to integrate e.g. achievements of topology, the exploration of complex curved geometries. “The Austrian pavilion directly reflects this practice”, explains Sandra Manninger of SPAN: “Its organic, curvilinear forms and the continuous flow between spaces base on natural geometric systems.”
© maria ziegelboeck . Pubblicata il 30 Aprile 2010.
Symbiosis of Architecture and Design
Based on the design methodology for the Pavillion, SPAN & Zeytinoglu also developed the entire interior design including the restaurant, the shop and the VIP area in addition to the exhibition space and the office area. As part of the interior fittings, the team designed the restaurant and the VIP bar, the shop desk, the info desk, the modular sitting lounge in the VIP area and the reception desk in the VIP lobby. “Although the objects have a value of their own, their integration into the architecture is essential: Spaces and objects form a symbiosis and enhance each other”, explains Matias del Campo from SPAN. The design objects are made from CNC-milled polyurethane and coated with synthetic resin. CNC (Computer Numerical Control) is a technology originally developed for the aviation industry, enabling the precise construction of digitally generated, complexly curved objects.
© maria ziegelboeck . Pubblicata il 30 Aprile 2010.
Ten Million Porcelain
Tiles
More than ten million tiles cover the pavilion’s facade, a porcelain skin gradually changing from red to white. The cladding of the complex curved surface wrapping the entire building and the roof was made possible by the selection of very small hexagonal modules. The result is what appears to be a smooth, seamless surface, regardless of its opposite nature: 60 million joints result in a regular distribution of the building hull’s tension forces. The design also alludes to the tradition of Chinese porcelain exports to Europe.
© maria ziegelboeck . Pubblicata il 30 Aprile 2010.
Largest Expo of all Times
The design by SPAN and Zeytinoglu was the unanimous choice of the jury in a pan-European competition held in 2008. This gave the architects an opportunity to render the cultural identity of Austria tangible in a global context. It is the first expo operated by China. With more than 240 participating countries, a budget of three billion Euros and no less than 70 million visitors it is the largest World Exposition ever.
© maria ziegelboeck . Pubblicata il 30 Aprile 2010.
© maria ziegelboeck . Pubblicata il 30 Aprile 2010.
© maria ziegelboeck . Pubblicata il 30 Aprile 2010.
© maria ziegelboeck . Pubblicata il 30 Aprile 2010.
© maria ziegelboeck . Pubblicata il 30 Aprile 2010.
© maria ziegelboeck . Pubblicata il 30 Aprile 2010.
© maria ziegelboeck . Pubblicata il 30 Aprile 2010.
© maria ziegelboeck . Pubblicata il 30 Aprile 2010.
© maria ziegelboeck . Pubblicata il 30 Aprile 2010.
© SPAN & Zeytinoglu
© Arkan Zeytinoglu . Pubblicata il 30 Aprile 2010.
© SPAN & Zeytinoglu
© SPAN . Pubblicata il 30 Aprile 2010.
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