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Hiroshima, Japan

Holocaust Education Center

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Photo: Kazunori Nomura © All rights reserved. Courtesy by UID Architect & Associates

By merging orthogonal elements and rounded gaps and surfaces,

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Photo: Hiroshi Ueda © All rights reserved. Courtesy by UID Architect & Associates

the architect has treated the external facades, made of black steel plates, and

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Photo: Hiroshi Ueda © All rights reserved. Courtesy by UID Architect & Associates

has fenced the entire plot with a low hedge in Cor-Ten steel plates pierced

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Photo: Hiroshi Ueda © All rights reserved. Courtesy by UID Architect & Associates

with 150 holes as reminders of the 1,500,000 children dead.

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Photo: Kazunori Nomura © All rights reserved. Courtesy by UID Architect & Associates

The main entrance underpasses the winding glazed wall, into the double-height space,

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Photo: Hiroshi Ueda © All rights reserved. Courtesy by UID Architect & Associates

whose curvature follows the panoramic staircase upwards.

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Photo: Hiroshi Ueda © All rights reserved. Courtesy by UID Architect & Associates

The two-storey building provides almost 800 sqm of floor space of

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Photo: Kazunori Nomura © All rights reserved. Courtesy by UID Architect & Associates

educational environment set up around a foyer, a library, an audio visual room,

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Photo: Kazunori Nomura © All rights reserved. Courtesy by UID Architect & Associates

a lecture hall with 150 seats, a childrenÅfs room, and a garden of

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Photo: Hiroshi Ueda © All rights reserved. Courtesy by UID Architect & Associates

Anne FrankÅfs roses on the back side, on ground level.

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Photo: Hiroshi Ueda © All rights reserved. Courtesy by UID Architect & Associates

The second level remarkably integrates permanent and

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Photo: Hiroshi Ueda © All rights reserved. Courtesy by UID Architect & Associates

temporary exhibition rooms to hanging passageways and overflowing perspectives.

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Photo: Hiroshi Ueda © All rights reserved. Courtesy by UID Architect & Associates

Structured with a steel frame system and finished with concrete floors,

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Photo: Hiroshi Ueda © All rights reserved. Courtesy by UID Architect & Associates

plaster boards and stone for walls, the overall architectural composition is

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Photo: Hiroshi Ueda © All rights reserved. Courtesy by UID Architect & Associates

the result of the interlacing-intersection of two boxes,

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Photo: Kazunori Nomura © All rights reserved. Courtesy by UID Architect & Associates

which hold certain symbolic meanings.

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Photo: Kazunori Nomura © All rights reserved. Courtesy by UID Architect & Associates

Among antithesis and osmosis, organic alike and geometrical, filled up volumes and voids,

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Photo: Kazunori Nomura © All rights reserved. Courtesy by UID Architect & Associates

the distortion of Holocaust and its inhuman constriction is seen as inseparable

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Photo: Kazunori Nomura © All rights reserved. Courtesy by UID Architect & Associates

from desire and repose of the victims. Rather than a memorial,

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an outspread memory dedicated to the future is a ring bell for times when the awareness diminishes.

Hope and ambition often grow up within death and defeat, and peace can

only be true after wars and through respect for human beings.

Walk

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Collegio Ingegneri della Toscana, Collegio dei Periti Industriali di Grosseto, Federazione agronomi e forestali della Lombardia, Dipartimento S.S.A.R. Università "G. D'Annunzio", Collegio Geometri Reggio Calabria, Consiglio Nazionale dei Geologi, InArSind Sindacato Nazionale Ingegneri e Architetti, Ordine Ingegneri e Architetti di San Marino, Collegio dei Periti Industriali di Siena, Associazione Laureati Iuav